Charlie Meadows seems a friendly, unassuming insurance salesman selling “peace of mind” we later learn he’s “Madman Mundt,” a serial killer (or is he even that?…see below). Fink affects modesty at the success of his play, claiming it’s “merely adequate.” Hollywood producer Lipnick (Lerner) claims “the writer is king” in Capitol Pictures, when it turns out the writer’s contract makes him into a virtual slave. Phoniness is a recurring theme in the movie. His play is the toast of Broadway, enjoyed by a largely bourgeois audience as pretentious as he is. Odets was actively involved in socialism Fink merely talks of wanting to write about “the average working stiff.” It quickly becomes apparent that he’s not all that interested in the working man. The physical and superficial similarities between Fink and Odets are obvious but beyond their ‘championing of the common man,’ they haven’t much more in common. The point is that the lack of singers, in the context of the movie, represents the lack of inspiration, no poetic singing coming from blocked Fink.įink is loosely based on Clifford Odets, a socialist playwright who had been a member of the Communist Party back in the mid-1930s, and who had to testify before the House Committee on Un-American Activities in the 1950s. Are you in pictures?įink has just written Bare Ruined Choirs, a play whose title is inspired by a line from Shakespeare’s Sonnet #73: “Bare ruin’d choirs, where late the sweet birds sang.” Choirs aren’t the singers, but rather the places where choirs sing in churches (or in the case of the sonnet, where the birds sang, on leafless tree branches). “Look upon me! I’ll show you the life of the mind!” –MeadowsĬharlie Meadows: Because YOU DON’T LISTEN!īarton Fink: I don’t know. “I’m a writer, you monsters! I create! I create for a living! I’m a creator! I am a creator! This is my uniform! This is how I serve the common man!” –Finkĭetective Deutsch: You two have some sick sex thing?īarton Fink: Sex?! He’s a man! We wrestled!ĭetective Mastrionotti: You’re a sick fuck, Fink. That’s a Jewish name, isn’t it?ĭetective Mastrionotti: Yeah, I didn’t think this dump was restricted. “I gotta tell you, the life of the mind…There’s no roadmap for that territory…And exploring it can be painful.” –Finkĭetective Mastrionotti: Fink. “Never make Lipnick like you!” –Ben Geisler (Shalhoub) “That son of a bitch! Don’t get me wrong, he’s a fine writer.” –Fink, of Mayhew “Me, well, I just like makin’ things up.” –Mayhew (Mahoney) “I’ve always found that writing comes from a great inner pain.” –Fink Coffee?” –Jack Lipnick (Lerner)Ĭharlie Meadows (Goodman): And I could tell you some stories…īarton Fink: Sure you could and yet many writers do everything in their power to insulate themselves from the common man, from where they live, from where they trade, from where they fight and love and converse and…and…So naturally their work suffers and regresses into empty formalism and…well, I’m spouting off again, but to put it in your language, the theatre becomes as phoney as a three-dollar bill.Ĭharlie Meadows: Well, I guess that’s a tragedy right there. You’re a writer, you know more about that. Did you tell him that Lou? And I don’t mean my dick is bigger than yours, it’s not a sexual thing. Why do I run it? ‘Cause I got horse sense goddamit, SHOWMANSHIP! And also I hope Lou told you this, I am bigger and meaner and louder than any other kike in this town. “I run this dump, and I don’t know the technical mumbo-jumbo. Who knows, there may even be one or two of them in Hollywood.īarton Fink: That’s a rationalization, Garland. Garland Stanford: The common man will still be here when you get back. Barton Fink is a New York playwright who fancies himself a writer championing “the common man,” but when he has an opportunity to write a Hollywood screenplay for a movie about a wrestler (the kind of the story “the common man” would have found entertaining at the time), he can barely type a word. The film is about, essentially, writer’s block, since the Cohen brothers themselves had been going through some writing difficulties when working on Miller’s Crossing. It stars John Turturro (in the title role) and John Goodman it costars John Mahoney, Judy Davis, Steve Buscemi, Michael Lerner, and Tony Shalhoub. Barton Fink is a 1991 period film produced by Ethan Cohen, directed by Joel Cohen, and written by both of them.
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